FilmSlop’s Latest

  • Inside Watermelon Pictures: Badie Ali on Decolonizing the Film Industry

    Ali El-Sadany

  • 'Mile End Kicks' & the Purity of Writing

    Ali El-Sadany

  • Maya Annik Bedward on Advocacy, the Black Screen Office, and ‘Black Zombie’

    Ali El-Sadany

  • Three women lying on the floor, closely positioned together, smiling and relaxing indoors.

    Lauren Noll on ‘Same Same But Different’ and the Power of Shared Interiority

    Ali El-Sadany

  • A young boy with dark hair and tan skin looks upward with a thoughtful expression. He is outdoors with trees and a colorful sky in the background, wearing a multicolored rainbow jacket with a black scarf.

    'Arco': The Best Animated Film of the Year Hits Close to Home

    Kate Bove

  • Four men wearing baseball jerseys and caps sitting at a bar or food stand, with cans of beer on the counter, engaged in conversation.

    'Eephus': A Love Letter to Baseball and my Late Grandfather

    Katie Mae Ryan

  • Silhouette of a mosque minaret at sunset with a crescent moon in the sky.

    Ramadan Through Film

    Ali El-Sadany

  • Close-up of wet muddy ground with a large green text overlay saying 'STOP'.

    Redefining Slop

    Ali El-Sadany

At Film Slop, our reviews focus on self-discovery and personal journeys rather than traditional criticism.

Our pieces explore how films impact us and help us understand our own lives. Think of us as a blend between film critique and personal narratives, mapping individual journeys through the lens of cinema.

We've organized some pieces into thematic categories linked in the buttons below as a starting point.

Studios are shutting down culture desks and replacing them with vertical content and algorithms. 17,000 media jobs vanished last year. Everyone seems pretty comfortable with the idea that writing about film like a human being is on its way out. AI is generating film reviews now.

We’re not going anywhere.

FilmSlop is an independent, volunteer-run outlet. We write about how films connect to our lived experience. Old movies, new movies, whatever moves you. The person behind the review is the review. AI can replicate writing style but it can’t live your life. Film criticism has always been about reflecting your lived experience. 

We're looking for people who want to make this thing their own. Help shape what we publish, where we go, how we grow. Come be part of our team

Pitch us your rants, deep dives, and hyper-specific obsessions. We don't really care about credentials, just as long as you have something real to say