FilmSlop’s Latest

  • Privilege, Play, and Post-Colonial Satire: A Conversation with 'Filipiñana' Director Rafael Manuel

    Ali El-Sadany

  • ‘It Must Be Heaven,’ But Apparently Palestine Has to Be Hell

    Gacia Injeian

  • Kevin Hamedani on ‘The Saviors’ and the Evolution of Profiling

    Ali El-Sadany

  • With ‘Bruton,’ Vincent Grashaw Sees Humor, Habit, and Heart as an Escape from Prison-Trope Jail

    Noah Staum

  • 'The Invite' Invites Us To Explore the Relationships Between Ourselves

    Luis Curiel

  • Meriem Sakrouhi on ‘Mon Taxi’ and the Tax of Distance

    Ali El-Sadany

  • Giving an Ancient Epic a Modern Voice in Christopher Nolan’s ‘The Odyssey’

    Areeha Mahal

  • Spider-Man, Superheroes, and the Loneliness of Invisible Labour

    Lisa Dar

  • ‘Namaslay’ Is The Killer Cleanse White-Girl Yoga Needs

    Noah Staum

  • The Question of Life After Loss: Lilian T. Mehrel on Dark Humour in ‘Honeyjoon’

    Darya Kharabi

  • Beirut Between A Thousand Eyes: In Conversation with Lana Daher, on Memory, Emotion, Community, Identity, Being, and the Sea

    Dalia Alrayes

  • Siobhan McCarthy, Writer and Director of 'She’s the He!,' on Creating a Trans Teen Comedy

    Katie Mae Ryan

At Film Slop, our reviews focus on self-discovery and personal journeys rather than traditional criticism.

Our pieces explore how films impact us and help us understand our own lives. Think of us as a blend between film critique and narratives, mapping individual journeys through the lens of cinema.

We've organized some pieces into thematic categories linked in the buttons below as a starting point

Studios are shutting down culture desks and replacing them with vertical content and algorithms. 17,000 media jobs vanished last year. Everyone seems pretty comfortable with the idea that writing about film like a human being is on its way out. AI is generating film reviews now. We’re not going anywhere.

FilmSlop is an independent, volunteer-run outlet.

We write about how films connect to our lived experience. Old movies, new movies, whatever moves you. The person behind the review is the review.

AI can replicate writing style but it can’t live your life. Film criticism has always been about reflecting your lived experience. 

Read more about our mission here

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Pitch us your rants, deep dives, and hyper-specific obsessions. We don't really care about credentials, just as long as you have something real to say.